What Defines a Woman of the Art Deco Era
The era, today known every bit "Art Deco", got its name in 1968 from "The International Exhibition of Modernistic Decorative and Industrial Arts", held in Paris in 1925. It spanned the menses from 1920 to 1940 and had a tremendous impact on the art of jewelry.
Information technology all started with the First World War, which turned the usual lifestyle of lodge upside down. Men went to the front and women had to earn their own living. The constricted Edwardian fashion did not meet the applied needs of a dynamic life. One past ane, women began to cut their hair and exchange corsets for tunic dresses. Uncomplicated, comfortable, merely at the aforementioned time, elegant clothes immune them to practice sports, drive cars, play golf and tennis, and dance until sundown, sipping stylish cocktails and smoking cigarettes. Women finally found their long-awaited freedom and could manage their ain time, finances and personal life. The "roaring twenties" began.
In Europe, especially in France, in that location was an idle mood. People had lots of money — and jewelry, whose production was temporarily suspended during the war — looked like a assisting and very desirable investment. Changes in fashion and lifestyle required rethinking a pattern of precious objects. Vertical lines of dresses with deep necklines and low waists promoted the popularization of sautoirs — long bondage or necklaces with large pendants or tassels. They were complemented by flexible bracelets, cuffs and long earrings hanging down to the shoulders. Among the headpieces, the bando was very popular — different a diadem, this precious ribbon was worn low on the forehead. In the early 1920s, the first women's watches appeared, so a lady could independently monitor the time. Great demand was observed for different accessories, including cigarette holders and cases, powder boxes, vanity cases and minaudières.
The jewelry of by eras lacked lightness and coloristic variety. Equally a result, most of them were changed in accord with new fashion. Already, in the pre-war years, French jewelers used a lot of polished onyx in their piece of work, which became a real fetish of Louis Cartier. In the 20s, designers began to add together bright accords of coral, turquoise, jade, lapis lazuli, as well every bit lacquer and enamel, to the dominant harmony of black and white. Rock crystal quartz was also amidst the more popular materials and quite frequently took the main role in design. The source of inspiration was Diaghilev'southward ballets and distant countries — in item Egypt, Prc, Nippon, India and the tribal cultures of the African and South American continents. Unusual combinations of elements of non-European fine art, including aboriginal ones — for example, faience figurines from Egypt, or Indian gemstones, carved in the form of flowers and leaves, — with harmonious and symmetrical Art Deco frames, led jewelers to amazing solutions. The era had its own artistic linguistic communication.
Art Deco bracelet and rings, all Yafa Signed Jewels
Platinum, 6.fourteen cts marquise-cutting diamond, 5.09 cts VS-IJ cushion-cut diamond, diamonds, emeralds, rubies, onyx
Peacock bracelet and Cartier brooch, Yafa Signed Jewels
Platinum, diamonds, constructed red beads
Art Deco Tiffany&Co bracelet and Kwiat ring, all past Fred Leighton
Platinum, diamonds
Art Deco necklace, Pat Saling
Platinum, diamonds, carved emeralds
